TIME HAS TAKEN PLACE HERE

TIME HAS TAKEN PLACE HERE

Exhibition of deflating american balloons in a white-walled gallery by Katie Bush (2009)

‘AS THE MELTDOWN CONTINUES’ DIGITAL PROJECTION + HELL-I-UM INSTALLATION ATA’s RIGHT WINDOW / SAN FRANCISCO (2011)

AN IRREVERSIBLE INSATIABLE TIME PASSAGE

AN IRREVERSIBLE INSATIABLE TIME PASSAGE

WELCOME AGAIN, VISITOR.

PERSONAL NOTES CAN BE VIRTUALLY EDGED HERE

- - - - - - - - - - - - - - - - - - - TIME-AGED MEMORY-LANE MODE BEGINS - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

BEGIN GOING DOWN INTO THE FOLDS OF EVER-EXPANDING TIME VS MEMORY.

YOU MAY BEGIN TO FEEL SENSATIONS OF REVERE AND SELF-REVERSING

THIS TIME VS THAT TIME

⏮ DIGITAL REWIND ⏮DESTROYEVIL.COM (2003) VAGINAMATION-A-DAY

STUDENT DEBT & FUN PEOPLE BEGINS HERE

SAN FRANCISCO ART INSTITUTE (MFA/NEW GENRES)

NOVA SCOTIA COLLEGE OF ART & DESIGN (BFA/PhoTOGRAPHY)

Born in the form of human ‘girl’

Image of a faggot-looking oildrill with a pink chickenhead-drilling extractive nozzle that is in the shape of a father-fucking fracker oilhog.
A cherry moon hangs in a digital sky.

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*Containers may vary

2004 - DIGITAL BUT ONE AMERI-ORIGINAL

2003 - BOINGBOING / DESTROY EVIL SARS FEATURE

THE AGING PROCESS BEGINS TO HAPPEN HERE

•

THE AGING PROCESS BEGINS TO HAPPEN HERE •

UNCANCELED STUDENT DEBT BEGINS HERE

UNCANCELED STUDENT DEBT BEGINS HERE

REVERSE AGING inside a cosmic portal between redlines and blue tears into star bits that look nothing short of intoxicating. like pop rocks of sweet chemistry that explode on certain tongues with reflective surfaces that encouraged you to go even deeper into another love vs no love levels. you can hear your heart pop it’s wheelie into a slick puddle of cosmic digital saliva when you think about it hard enough or just hard enough

WORMHOLE TIME REVERSAL BEGINS SOMEWHERE AROUND HERE

WORMHOLE TIME REVERSAL BEGINS SOMEWHERE AROUND HERE

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - INSTITUTIONAL INSTRUCTION & EDUCATION - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

in a steel-town under a cherry moon.

BIRTH

(November 2020) COVID-compliant Jizzercise animation-of-the-day titled ‘Jogging Memory’, inspired by orange county patriot-mom-spittle factories.

AFTERBIRTH

Image of a female-identifying naked body with 'wrong judgement' as determined by cis bro-panels of secretly homosexual tendencies and wonder.

ABOVE: 1st digital animation (1996) gif for post-humanbody zine ‘Destroy UFOs’, published 1992-1997 in Halifax, Nova Scotia.

Zine memory fragment from ‘Destroy UFOs’ (1992/ Nova Scotia). Clipart paper collage for xeroxing WTF ‘at-scale’. early inspo for digital clipart evil regurjivination Destroyevil.com’ website (Celebrating it’s Blood Diamond Jubileee evil yearsniiversary 2002-2025+). and In the meantime, time is passing … but you don’t notice.

An inverted oil drip of white-silence fancy

PRE-PANDEMIC ERA OLD WORLD TIME + ART SQUIRTS

a cosmic portal between red and blue star bits that looks nothing short of intoxicating. it takes like pop rocks of sweet chemical that explode on your tongue when you get reflective and next level. you can hear it pop in my saliva when you think abo

2005 - IN A WORLD WITH SO MANY THINGS 7ft by 4 ft LONG DIGITAL PINK-INFUSED VISUALIZED ERECTION

2002 - LIGHTBOX OF AMERIWOW

(BELOW emo-clipping of original zine, ‘Destroy UFOS’, 1992)

*precursor to DESTROYEVIL.COM & the internet itself (AGING)

hopeful eras of yester-now across the multi-fabric of time

GOING DOWN ? PERFECT

THIS SECTION IS FOR YOU

LISTEN HERE, LOVER

we can go only go up or down from here, but if you go down

things might start to get serious and information may indeed coincide with even more times & dates

biographies tend to be predictably linear, the feelings involved here are non-linear. please feel your way through this (me) to proceed…

SOUND DESIGN FOR 30 DAY 24 HR MARIONETTE PERFORMANCE ‘MARCH’ (BUSH COLLABORATION: AUTHORITY OFFICE) 2008 AT ATA IN SAN FRANCSICO

Founded in 2002, Authority Office is John Koch, Kota Uetsu & Katie Bush across a spectrum of mediums.

EX-BITCHONIST 1996-NOW

69 Blockchain ENS Art Sites (2022, WIP)

RAG! A Queer time-traveling art journal from before and after (2025 work-in-possible)

SFAI 150 ‘A Spirit of Disruption’ (2021, Group Exhibition)

‘Ida B Wellness Kits’ - (Co-created with Nicole Arlette Hirsch) YBCA, San Francisco (2017-2020)

‘Freedom Forces’ - YBCA, San Francisco (2016 Cohort)

‘Authority Office: Delicate Situations’ - ATA, San Francisco (2017, Collaboration)

‘ COVA / Pop-out Church of Vaginal Adoration ’ - San Francisco Art Institute ‘Original Disruptor’ (2017, Group Exhibition)

‘ Pulse Orlando Benefit ’ - Fort Mason, San Francisco (2017, Group Exhibition)

‘ 24 Carat Gold Crybabies ’ - San Francisco (2017, Solo Exhibition)

‘ Feelings of that Nature ’ - ATA/Right Window, San Francisco (2016, Solo Exhibtion)

‘ Authority Office∫ March ’ - ATA, San Francisco (2016, collaboration)

‘ Feelings of that Nature ’ - ATA/Right Window, San Francisco (2015, Solo Exhibition)

‘ Hanky Code’ The Movie , Pee-colored by Katie Bush’ (2015, movie / Group Exhibition)

' In Search of Margo-go’ Fringe! Film Festival (Collaboration: Animations)

‘ Seeking to Destroy Families & Faith ’ - Mix Film Festival, New York (2012, Group Exhibition)

‘ Authority Office Pen ’ - Image Movement (2012, Collaboration)

‘ As the Meltdown Continues’ - ATA/Right Window, San Francisco (2011, Solo Exhibition)

‘ You & What Army’ - San Francisco (2011, Solo Exhibition)

‘ Mesmerizing Lady Parts’ - The Lexington, San Francisco (2011, Solo Exhibition)

‘ Unremarkable People Having Sex ’ - ATA/Right Window, San Francisco (2011, Solo Exhibition)

‘ Seeking to Destroy Families & Faith ’ - San Francisco International (2010) Film Festival

‘ Rapture of the First Fruits ’ - ATA/Right Window, San Francisco (2010, Solo Exhibition)

‘ Seeking to Destroy Families & Faith ’ - 2Spirit Studio/Gallery, San Francisco (2010, Solo Exhibition)

‘ Destroyevil.com ’ - Memefest Festival (winner), Slovenija (2006)

‘ In a World with so many Things ‘ - Glama-Rama, San Francisco (2005, Solo Exhibition)

‘ Destroyevil.com ’ - Fylkingen HZNet 5, Sweden (2005, Group Exhibition)

‘ Destroyevil.com ’ - Stunned / Net Art Open, Ireland (2005, Group Exhibition)

‘Destroyevil.com ’ - chico.art.net , the electric arts program, CSU, California (2004, Group Exhibition)

‘ Destroyevil.com ’ - Electrofringe, Ireland (2004, Group Exhibition)

‘ Destroyevil.com ’ - This is not Art Festival, Australia (2004, Group Exhibition)

‘ Destroyevil.com ’ - 6th International Digital Art Exhibition & Colloquium, Havana, Cuba (2004, Group Exhibition)

‘ Neither Here¨ Nor There’ - Glama-Rama, San Francisco (2004, Solo Exhibition)

‘ Destroyevil.com ’ - MAF-04, Thailand New Media Art Festival , Bangkok (2004, Group Exhibition)

‘ Destroyevil.com ’ - The Israeli Center for Digital Art , Israel (2004, Group Exhibition)

‘ Destroyevil.com ’ - FILE , Electronic Language International Festival, Brazil (2003, Group Exhibition)

‘ SARS ’ - BoingBoing (online digital art exhibition), The SARS PROJECT (2003, Group Exhibition)

‘ Destroyevil.com ’ - Peam 2003 ¨ Pescara Electronic Artist Meeting¨ Pescara, Italy (2003, Group Exhibition)

‘ Destroyevil.com ’ - Istanbul Museum Web Biennial , Istanbul, Turkey (2003, Group Exhibition

‘ Destroyevil.com ’ - Netart from Canada¨ Java Museum , Germany (2003, Group Exhibition)

‘ Destroyevil.com ’ - Wartime Project ,, Italy, Mexico, USA, Spain, Amsterdam (2003, Group Exhibition)

‘Expected to Stimulate’ , The Lexington, San Francisco (2003, Group Exhibition)

‘ Destroyevil.com ’ A Collection of New Media Artwork , Athens, Georgia (2003, Group Exhibition)

‘ Destroyevil.com ’ NET.FILM, 3rd Biennial Exhibition, ABC No Rio Gallery, NY, 2002 (2002, Group Exhibition)

‘ Lovekatie.com ’, Tuttle Gallery, Baltimore, MD (2001, Group Exhibition)

‘ All Systems Go°’ Off-ramp Gallery, NY www.off-ramp.org (2001, Group Exhibition)

‘ Suburban Samizdat ’, Buffalo NY (2001, Group Exhibition)

‘ Wallpapers ’, Art Gallery of Nova Scotia, Nova Scotia, Canada (2001, Group Exhibition)

Tina and Carl Sell Katie, Fort Mason, San Francisco 2000 (2001, Solo Exhibition)

‘ SFAI Graduate MFA Exhibition’ , Fort Mason, San Francisco (2000, Group Exhibition)

‘Continuing SFAI MFA Exhibition ’, Diego Rivera, San Francisco (2000, Group Exhibition)

‘ No Better than Dustin Hoffman ’, Intimations’ ’, Angell Gallery, Toronto, Canada (1999, Group Exhibition)

‘ Apaware’ : Cash and Carry, Linz, Austria (1999, Group Exhibition)

‘ Katie Gets Wet’ (Book), Art Metropole (1998 Book Release, Solo)

‘ Art Metropole Benefit’ Christopher Cutts Gallery, Toronto, Canada (1997, Group Exhibition)

‘ The Scattering of Katie’s Eggs’ , Easter Sunday, Downtown Toronto, Ontario, (1997, Solo Exhibition)

‘ Postfeminist Playground’ (1997, Group Exhibition)

‘ Graduating BFA Exhibition’ , N.S.C.A.D, Nova Scotia, Canada (1996 Group Exhibition)

‘ Kiss my Fence¨ Again’ Anna Leonowen's , Halifax, Canada (1996, Solo Exhibition)

1995 ‘ Color’ , Khyber Art Center, Halifax, Nova Scotia (1995, Solo Exhibition)

‘ Montreal MassacreØWomen Remember ’, Anna Leonowen's, Halifax, Canada (1995, Solo Exhibition)

‘ Drawings ’, Anna Leonowen's Gallery, Halifax, Canada (1994, Solo Exhibition)

PRESS + PUBLICATIONS

Dazed & Confused Magazine

San Francisco Bay Guardian

SF Weekly

BoingBoing

Rhizome/New Museum

Art XX

The British Medical Journal

ArtMetropole / Little CockRoach Press

BOOKS

(1998) ‘ Katie Gets Wet’, Little, Cockroach Press ISBN 0920956394 9780920956397

(Book Cover Design) 2010) Demonstrating Relevance: Response-Ability, Theory, Practice and Imagination of Socially Responsive Communication

IN A WORLD WITH SO MANY THINGS (2005) - SAN FRANCISCO 5x7 FT DIGITAL 1 OF 1 ON CANVAS

1 A DAY ANIMATION - DESTROYEVIL.COM (2003)

EXHIBITION POSTCARD (2010)

1 A DAY DESTRUCTIVE-ANIMATION FROM DESTROYEVIL.COM (2002)

‘RAPTURE OF THE FIRST FRUITS’ 8 FOOT LIGHT BOX INSTALLATION (2010, ATA / RIGHT WINDOW - SAN FRANCISCO)